Friday, 18 February 2022

Table of Contents for Dark Lane Anthology Vol.12

Thanks you to everyone who submitted a story.

We are excited to announce the line-up for Volume 12.

1. The Boat by Matthew G. Rees.

2. One Rotten Apple by J. Rosina Harlow

3. The Broken Man by Vincent Valkier

4. Wallace Flint's Shadow by Aria Braswell

5. Champflower Hall by Tim Jeffreys & Robert Pope

6. The Man and the Hand by Meera Rohit Kumbhani

7. Noble Rot by George Aitch

8. How Danny Rodeo Became the Crown Prince of the Penguins by Pete Barnstrom

9. The Telling by Charles Wilkinson

10. A Game For Charlotte by Ariel Dodson

11. Turbine Tim by James Fable

12. Obituary Man by J.D. Kotzman

13. Catherine by Karl Miller

14.The Offering by Andrea McLaughlin

15. Beak, Feather, and Eye by James Pate

16. Under Shude Hill by Tim Newton Anderson

17. The Best View in the House by Jess Doyle

Saturday, 6 November 2021

Honorable Mention in Best Horror of the Year

 Congratulations to Charles Wilkinson whose story 'The Festival of Conformity' from Dark Lane Anthology 8 got an honorable mention in Ellen Datlow's Best Horror of the Year Vol.12.  See the full list here.

Also congrats to Mark Keane, whose story 'The Exhibit' - also from Dark Lane 8 - was chosen to appear in Vol.4 of Best Indie Speculative Fiction from Bards and Sages.

Wednesday, 22 September 2021

An Interview with Virginia Watts.

 Virginia Watts' story, 'Emily', will open Dark Lane Anthology Vol.11.  Her stories and poetry can be found in Illuminations, The Florida Review, CRAFT, Sunspot Literary Journal, and others.  Her poetry chapbook, The Werewolves of Elk Creek, is published by Moonstone Press.

Q: What are your working methods?  Do you sit down every day to write?  Do you have a designated place to work?

A: I have no specific schedule or location for writing and I don’t think about writing in terms of process or method. I am a bit superstitious that way. I try not to think about writing at all if you want the whole truth. Writing is something that happens to me more than anything else. What I do is when an idea arrives for a story or a poem, I sit down somewhere quiet and start in with immense gratitude and hope. I love every minute of the process from rough draft to critique editing to letting go of something knowing I have done the best I could for the idea that came to me. I have taken plenty of writing classes, workshops, and getaways but there is something about learning too much about the “craft” of writing that I battle against. It’s important for me to stay close to my gut and my heart as a writer.

 Q: Tell us about one of your favourite short stories and why you like it (not one of your own).

A: This answer will surely elicit some groans from memories of dreaded middle school summer reading assignments, but I have to chose Hemingway’s “The Short Happy Life of Francis Macomber.” I read this story when I was young too and the thing is I have never forgotten it. I am sure it was required school reading but there’s a reason the greats are the greats. Hemingway is so direct and crystal clear in his characters and story that you can’t look away from the courage of it all even when you long to. In Francis Macomber we face our own human weakness and cowardice. What reader hasn’t wondered. Maybe I would have run away from the lion too! And Margot his wife so cruel and greedy and domineering. And of course, Wilson. The ultimate user. We may not be any of these characters overall, but we have all been these people at times and we have the capacity to be like them again. This story is upsetting and troubling and true. It is you and me and everyone whether we like it or not. If the characters in a story never leave you, then it was very simply a damn good story.

Q: Tell us about one of your favourite short stories (written by you).

A: It is difficult to choose a favourite, but I am proud of a short story entitled “The Bitterest Winter” which will appear in a collection of short stories of mine that will be published by The Devil’s Party Press in the spring of 2023. In this story, the narrator is a young woman with a new baby girl. She lives in a high-rise apartment in the city of Chicago. She comes from a rural background and living in a big city is akin to living on the surface of the moon. And all these strange balconies. Little spaces floating in the air all around her that begin to haunt her as she becomes more and more isolated, alone most of the time with the baby while her husband pursues a high-profile legal career and one of his attractive and smartly dressed assistants. In the final scene of the story the young mother is outside walking on her balcony with the baby in her arms getting closer and closer to the railing. My critique group all had different ideas about what happened next and that became the success of that story to me. The ending depends on the reader and just how much they are willing to imagine and feel.

Q: Where do your ideas come from?  Do you go looking for ideas – for example by brainstorming, or do you wait for inspiration?

My ideas come from all sorts of things and sometimes I am not sure where they came from. I never brainstorm or use any technique to drum up ideas to write about because that seems like it wouldn’t be a “real idea” to me. Ideas that inspire my writing have come from past experiences, news articles, tv shows, songs, things I see walking, things people say that I overhear, thoughts I have in silent rooms. The story I mention above was written after I visited my daughter in Chicago. She was attending the University of Chicago as a graduate student at the time and while there was no husband or baby, there was a balcony and a city all around us so big it felt like it might swallow us up.

 Q: Are you a full-time writer? If you have another job, what is it and would you like to become a full-time writer if you could?

A: I do consider myself a full-time writer of almost ten years and I feel very lucky to be able to say that. I am a lawyer by education. I have learned a lot in ten years mostly from the company of other writers who have read my work for me and given me theirs to read. You cannot be your best if you don’t have a critique group of some kind. At least, that is what I believe.

 Q: What is the most difficult part of your creative process?

A: The tensest part for me is the rough draft because I am always hoping, just hoping, that I can take an idea all the way to the end. I never have an outline or a destination. I never know where I am going so, I just hope I find my way somewhere that matters. The other challenge is endings. I don’t want someone to read one of my stories or poems and get to the end and be let down or frustrated. That’s your last chance as a writer so you have to try very hard to get the ending as right as it can be.

Q: If you could go back in time, what would you say to your younger self about becoming a writer?

A: I have been asked this before and the answer always makes me sad. I always loved to write. From the sixth grade. I wrote here and there throughout my life but not like I have recently where I have finally let myself become dedicated to this. So I would tell her to not wait for the future. Write whenever you can now no matter what else you have going on in your life.

Thank you for inviting me to be interviewed here. I am honoured and thrilled to have my story appear with those of the other authors in Dark Lane Anthology Volume 11!


Sunday, 29 August 2021

The Orangerie by Bill Davidson

Congratulations to Bill Davidson, whose debut novel The Orangerie has just been published by Close to the Bone Publishing.

Here's the description from Amazon:  The Orangerie is a psychological thriller that thinks it’s a time- travelling murder mystery. Tough deep-sea diver Rob Irons is in trouble; his business is unravelling and so is he. The answer lies in his missing childhood memories, and the murder of his mother.

Everything seems to revolve around his childhood home, the mysterious Orangerie, now a holistic treatment clinic. Rob attends The Orangerie as a patient, where hypnotherapy doesn’t just reveal the shocking secrets of his past, it shreds Rob’s view of reality, and his place in it. 

Thursday, 22 July 2021

Bryn Fortey

We were very sad to receive the news today that Bryn Fortey has passed away. Bryn's story, The Brain, is due to appear in Dark Lane Anthology Volume 11. Bryn was a veteran of the UK speculative fiction scene, and the few occasions that we worked with him it was always a pleasure. 

Tuesday, 18 May 2021

Table of contents for Dark Lane Anthology Vol.11

 1. Emily by Viginia Watts.

2. Fox-Mable by J.Rosina Harlow

3. Songs for the Monarch by D.G. Bracey

4. Pride and Joy by Julian Grant

5. Tinted by Timothy Granville

6. The Caretaker by Ariel Dobson

7. Turf by J.C. Raye

8. The Monster of Druidfayle Beach by Angela Gregory

9. Vector of Infection by Kevin Stadt

10. The Oboists by Charles Wilkinson

11. Life of a Superhero by Christopher Fielden

12. Egress by Ailya Waqar

13 Mediations in Blue by Damon King

14 Svengali by Gregory Wolos

15. Canticle by Su Ryder

16. The Brain by Bryn Fortey

17. Threesome by Robert Pope

18 Waterloo Manuscript by Martin Greaves

19. Not in a Book by Michael W. Thomas

20. Mira's Heart by Diane Gurman

21. The Withfalls by Robert Graham

22. The Perfect Day by Amanda Faith Poirier

Tuesday, 27 April 2021

The Trains Don't Stop Here

New from Dark Lane Books: M.R. Cosby's second collection of short stories, The Trains Don't Stop Here.  A collection of 10 short stories about people who find themselves lost within their own lives – struggling against the squalid and the abject. Little is as it seems in these strange tales of entrapment, darkness, claustrophobia, fear and conspiracy.